The Ensemble in Cortezia's disc Vox Nostra Resonet […] is a well-planned anthology of pieces relating to the Compostela pilgrimage route, taken principally from the Codex Calixtinus, the Llibre Vermell and the Cantigas de Santa Maria. Pascale Costantini's warm yet incisive voice is absolutely essential to the character of the performances. This is particularly clear in the Cantigas (n° 26, Non e gran cousa, n° 175, Por dereito and n° 218, Razon an de seeren), which absolutely depend on text, and her very French 'r' merely adds a touch of cosmopolitanism to the proceedings. However, the subtlety of the instrumental contributions is also of paramount importance, always working with the voice rather than competing with it. The instrumentalists anyway have the opportunity to prove their worth independently in the improvisations of the Danse Cléricale and the suite Karsilamas/Touchia. In addition, Denis Zaidman's vocal con­tri­bution, somewhat more folk-like in approach, provides a very good, if occasionnally distant-sounding, foil for this milk and honey. Performances are not revolutionary, and neither are they overloaded with orchestration; rather, this is a very impressive disc interestingly built around its theme. My only complaint is that the lack of English and German translations may well prevent the circulation it deserves.

Ivan Moody  (Recording reviews)

[…] polyvalents, P. Costantini, JM. Deliers, JL. Lenoir et D. Zaidman réservent un sort royal à ces  miniatures espagnoles arabo-andalouses.

Edith Weber

La musique médiévale dans sa nudité superbe ! Une musique savoureuse, une interprétation juste et grande !

Orlando de Rudder (écrivain, médiéviste)